Popular histories too often present perpetual motion machines as "freaks and curiosities" of engineering without telling us just how they were understood at the time. They also fail to inform us that even in the earliest history of science and engineering, many persons were able to see the futility and folly of attempts to achieve perpetual motion.
Sometimes a particular device comes to us with a label, such as "Bishop Wilkins' magnetic perpetual motion machine." Popular articles leave the impression that the inventor believed it was a perpetual motion machine. In fact, very often the device was presented and described to illustrate the futility of the quest for perpetual motion.
The first documented perpetual motion machines were described by the Indian author Bhaskara (c. 1159). One was a wheel with containers of mercury around its rim. As the wheel turned, the mercury was supposed to move within the containers in such a way that the wheel would always be heavier on one side of the axle. Perhaps this was not so much a practical proposal as an illustration of Indian cyclical philosophy. The idea reappears in Arabic writings, one of which contained six perpetual motion devices. From the Islamic world the idea reached Europe.
Villard de Honnecourt was born in the late 12th century and probably lived and worked in the north of France from 1225 to 1250. His sketchbook of 33 parchment leaves with 250 drawings has survived, and now is in the Bibliiothèque Nationale in Paris. These show designs for churches, catapults mechanisms and machines. Villard is often called an architect, but we know of no structure that he designed, or that is attributed to him. He traveled a lot, but we are not sure what he did for a living.
The most celebrated of his machine designs was for a perpetual motion wheel. It was an overbalanced wheel with hinged hammers or mallets equally spaced around its rim. The picture displays ambiguous perspective. The wheel is actually supposed to be perpendicular to the frame and to the horizontal axle. It also shows unequal spacing of the hammer pivots around the wheel. Perhaps it was intended as "schematic only". The upper two hammers in particular seem inconsistent. Compared to Villard's other drawings, this one is singularly "sketchy" and carelessly executed. Villard's description (translated) is:
Many a time have skilful workmen tried to contrive a wheel that should turn of itself; here is a way to make such a one, by means of an uneven number of mallets, or by quicksilver (mercury).
The reference to quicksilver (mercury) indicates that Villard was familiar with the Bhaskara device, whose design had reached Europe. Villard claimed his machine would be useful for sawing wood and raising weights.
Villard's diagram shows seven hammers, and he insisted on an odd (uneven) number of hammers, explaining
...there will always be four on the downward side of the wheel and only three on the upward side; thus the mallet or bag will always fall over to the left as it reaches the top, ad infinitum.
But, whether the number of hammers is odd or even, such a wheel comes to rest quickly. This design was copied many times, often with an even number of hammers.
Mariano di Iacopo, called Taccola (Siena, 1382-1458?) was one of the first artist-engineers who wrote illustrated texts of engineering designs, using drawings effectively as a medium of communication. Living in a time of frequent wars, he was actively engaged in a diversity of military and civil engineering projects.
On this page of his drawings we see designs for machines to breach fortifications, and superimposed upon those is a large depiction of an overbalanced wheel with hinged articulated sections. This was a device probably well-known to engineers in this period of history, deriving from Arabian sources.
Leonardo da Vinci (1452-1519) was the prototype "Renaissance Man". His talents included art, engineering, music, physics, and mathematics. His famous Notebooks (a collection of drawings and commentary on loose manuscript pages) were largely unorganized "notes" to himself that he never put into a format for proper publication. These include ideas and designs from other sources, and some original ones, without indication of which were which. Leonardo was never shy about proclaiming his many talents, but he often started projects he never finished.
Leonardo's famous comment comparing perpetual motion seekers to alchemists is often quoted. "Oh, ye seekers after perpetual motion, how many vain chimeras have you pursued? Go and take your place with the alchemists." The last reference is to "seekers after gold", which at least one translator has misinterpreted as "gold-diggers".
Leonardo very carefully analyzed several versions of the overbalanced wheel with moving weights, and showed why they would not work.
Moreover, you might set yourself to prove that by equiping such a wheel with many balances, every part, however small, which turned over as the result of percussion would suddenly cause another balance to fall, and by this the wheel would stand in perpetual movement. But by this you would be deceiving yourself... As the attachment of the heavy body is farther from the center of the wheel, the revolving movement of the wheel round its pivot will become more difficult, although the motive power may not vary. [From Dircks (1861)]
This last comment is especially perceptive. In modern language is says that as a weight moves farther from the rotation axis, the gravitational torque on it is greater, but the moment of inertia of the wheel is simultaneously increased, making the gravitational torque less effective in increasing or sustaining motion of the wheel. The net gain is zero.
Was Leonardo's comment above meant as a general condemnation of all forms of perpetual motion? Maybe not, for on notebook pages describing methods of lifting water he includes without comment two drawings of impossible self-acting pumps. They show water being lifted by Archimedean screws, dumping onto the top of a waterwheel, which in turn drives the screws. These were known as "recirculation mills" and show up in many compiled porfolios of mechanisms. If Leonardo didn't fully understand the behavior of water, he was not alone, for many misconceptions about hydraulics persisted until the 17th century. Even some practical engineers thought water had self-motive power, or a "life of its own".
The concepts of force, energy and momentum were not refined until the early 19th century. Leonardo's thinking about these matters was still largely Aristotelian, as these examples [translation by Edward MacCurdy] illustrate:
• Weight is material and force is spiritual... They are often producers one of another.
• The sun has substance, shape, movement, radiance, heat and generative power; and these qualities all emanate from itself without diminution.
Aristotelian science held that things in the heavens were perfect and incorruptable. Therefore this last comment about the sun is consistent with Aristotelian thinking, and suggests that Leonardo had no conception of anything like a general principle of conservation of energy.
Many of Leonardo's drawings of machines were impractical or even unworkable as he depicts them. Most were never built or tested by him. Some were not his original ideas, but were commonly known in his time and earlier times. We often can't determine whether a particular device included in his notebooks was of his own design, or of someone else, and we can't always know whether Leonardo considered it workable or practical.
Mark Anthony Zimara (1460-1523), was an academic, natural philosopher, physician, astrologer and alchemist; interests typical of academics of his time. He published a scholarly work on physics and metaphysics in 1518, in which he describes (without pictures) Directions for Constructing a Perpetual Motion Machine without the use of Water or a Weight.
Construct a raised wheel of four or more sides, like the wheel of a windmill, and opposite to it two or more powerful bellows, so arranged that their wind will turn the wheel swiftly. Connect to the periphery of the wheel, or to its center (whichever the builder may think better), an instrument which will operate the bellows as the wheel itself turns (this will be an honor to the ingenuity of the maker). It will happen that the wind which comes from the wheel to rotate, and that the bellows themselves, operated by the rotating wheel, will blow perpetually. This, perchance, is not absurd, but is the starting point for investigating and discovering that sublime thing, perpetual motion, a starting point which I have not read of anywhere, neither do I know of any one who has worked it out. [Tr. by G. Kasten Tallmadge.]
This is an early example of the "boostrap" principle of perpetual motion. [The combination of Archimedian screw and water-wheel was an earlier example.] Device A drives device B which in turn drives B. But it was not the last application of the principle, though it should have been. Note that Zimara claims this to be his original idea. Zimara leaves to others the tricky problem of designing the mechanical linkage between bellows and windmill, and he admits that he knows no one who has made such a thing work. Of that we can be certain.
Zimara's description contained no drawing. The drawing here is an artist's fanciful interpretation, with some geometric engineering flaws that, even if corrected, would not allow the device to work.
Agostino Ramelli (1531-ca. 1600) published in 1588 a large foilo collection Treasury of the ingenious machines of the noble and famous Captain Agostino Ramelli with text in both Italian and French. It contained 195 detailed plates with accompanying commentary. One, plate 43, attracts our attention. At first look just a floating water wheel for lifting water from a river (a common device of the time), more careful examination shows that it has within the waterwheel two perpetual motion devices, the wheel of Honnecort, and the curved-compartment wheel, both being ideas from the Orient via Arabia. Ramelli explains:
So,if you need more power, just add a perpetual-motion wheel, or better yet, add two of them! Ramelli's last sentence must be interpreted as tongue-in-check, indicating that he doesn't think the extra wheels really help, but as he was building this for a client, who was paying for it, the customer gets what he wants. We know nothing about Ramelli's personality, or whether he had a sense of humor, but I can't help thinking this drawing was his little joke.
Closer examination of the original engraving shows the innermost part of the wheel has curved-wall compartments, with something (water, pebbles, lead shot?) in each compartment. Such wheels were then common (though inefficient) devices for lifting water, driven by the current of the river. It was called the Persian Wheel, the horn-drum, or De La Faye's wheel. The same design shows up in stand-alone self-motive wheel designs. But in this picture, the inner part of the wheel is clearly not being driven by water in the river.
Vittorio Zonca (1568-1602). In his folio "Novo Teatro di Machine et Edificii", (Padua, 1607) Zonca shows a large copperplate engraving of a huge pipe for raising water. It had a large, sealed inverted U-tube with larger diameter on one side. The figure shows the larger tube (A) on the left emptying water at a higher level than the water intake on the right. This water then powered a horizontal turbine at the bottom, which drives a millwheel for grinding grain. The sealed port at the top was to facilitate the initial filling of the tube with water.
For want of a better name, I call this a "perverted siphon", though it doesn't work as a siphon. (It's so hard to name devices that don't work.) Didn't folks in the 17th century know that siphons can only lift water over an elevation if the output tube's opening is lower than the input water level? Perhaps not. Roman engineers had successfully used water tubes or pipes to transport water over hills, but the output was always lower than the input water level. These tubes were a last resort for engineers, for the apex of the tube could not be higher than 10 meters above the water level at the input end. It was difficult to seal the tubes so that air would not seep into the top of the tube and eventually form an air pocket that destroyed the continuity of the water and halted water flow. Perhaps some felt that it was only such practical "engineering difficulties" that prevented the use of siphons to actually deliver water to a higher level.
Remember that the role of atmospheric pressure in these devices wasn't understood. So why did the water stay in the inverted U-tube? This was explained by Aristotle's principle that "nature abhors a vacuum", that is, nature will not allow a vacuum in the top of the tube and will do whatever necessary to prevent it. This explained why a suction pump could lift a column of water (but didn't explain why it could only lift water about 33 feet).
What, then, was the prevailing understanding of the siphon, which led to the supposition that it could work "in reverse", rasing water from a lower to a higher level? First, why does the normal siphon permit water flow from the higher end to the lower end? In the case of the uniform diameter tube with one end lower than the other, the low end has a longer length, measured from the top, and therefore contains a greater weight of water than does the shorter tube. A beam balance, moves downoward on its heavier side. By analogy, one might assume that water moves toward the lower end of the siphon because that side is heavier. This would be consistent with the prevailing view that when something is heavier on one side, this causes motion toward the heavier side. In fact, this is a central idea behind many perpetual motion machine proposals.
So it is only a short logical step for a clever engineer to suppose that you could make the shorter side contain more water than the long side simply by making the shorter side larger in diameter. It would contain greater weight of water, so water should flow toward that side, even if that side were emptying at a higher elevation. The water, however, refuses to oblige.
This same flawed explanation is displayed by the self-flowing flask (later known as the hydrostatic paradox). The larger weight on the left forces water down and around the narrow neck where the weight is less, and then it flows out the orifice at the top to replenish the water in the vase. The "paradox" was, that though this seemed perfectly reasonable to many persons, the darn thing just didn't work that way. In fact, it worked in accordance with another Aristotelian principle "water seeks its own level". The water levels were equal left and right, and stayed that way.
These problems were much discussed in Medieval and Renaissance times, when Aristotelian physics still dominanted thought, but scholars were beginning to question, and even modify, some Aristotelean notions. Unfortunately much of this was done by Aristotelian methods: the use of pure analytic logic without recourse to experimentation. So practical engineers were left to wonder how things really worked, and often operated with inadequate or incorrect conceptual tools.
Here's where engineers ought to have paid more attention to the ancient sources. Aristotle stated that "water seeks its own level" and Heron of Alexandria had described the correct operation of the siphon with the outlet lower than the inlet and the diameter of the pipes having no influence on the operation. Cf. Heron's "Pneumatica".
Even Galileo accepted the "abhorrence of a vacuum" principle. In 1643 Evangelista Toricelli (1608-1647) showed experimentally that the pressure of the atmosphere could lift a column of mercury only about 30 inches, and if mercury were used to fill a four-foot long tube, and the tube inverted with the open end in a mercury reservoir, the mercury column would be only about 33 inches above the reservoir level, with a "Toricellian vacuum" above it. A column of water could only be lifted about 33 feet in the same manner.
Only in the late 17th century were these misunderstandings of water pressure resolved. Pascal's principle showed that the pressure at any point in a container of liquid depends only on height from that point to the surface, and not on the diameter or shape of the container.
Robert Fludd (1574-1637), a Paracelsian physician, alchemist, astrologer, hermetic philosopher, mystic and member of the Brotherhood of the Rosy Cross, published a folio of his works in 1618 (in Latin). It included many descriptions of machines, some practical, some fanciful. These included water pumps of various kinds.
The picture below left is often attributed to Fludd, and many books leave the impression that Fludd believed it would work. But its style is not consistent with other pictures of Fludd's time. In "De Simila Naturae" Fludd does discuss the machine shown below right, which he describes:
The column at the right is a pump with a chain of leather disks (A). The water lifted by the pump drives the overshot water wheel, which, through several gears, drives the pump. Fludd is forthright in his opinion of the utility of this device.
The italian, deceived by his own thoughts, conceived that as much water would be raised by this pump as would keep the wheel perpetually in motion; because he said that more force was required at the extremity of this machine than at the center; but because he calculated the proportions of power wrong, he was deceived in practice.
It is unneccessary to point out that this appealing principle has been tried several times, by people who often were completely inexperienced in mechanical principles, and who did not see the serious error which lies in these devices, and therefore wasted effort, money and time on old and worthless ideas.
Athanasius Kircher (1601-1680), a German Jesuit who taught in Rome. His many interests were wide-ranging, and included mathematics, geography, astronomy, optics, and magnetism (de Arts Magnet). He designed and built automatic mechanical music instruments programmed by a pegged rotating drum, and wrote music for them. He also designed a machine to compose music. He was somewhat of a showman and a prankster.
Kircher's folio includes a water wheel driving a force pump to lift water to the top of the wheel, and designs for magnetic spheres and wheels turning continually in response to fixed magnets.
One plate shows the water cycle, according to one popular theory. Water is sucked down whirlpools in lakes, passes through fissures in rock and by capillary action rises to the topes of mountains where it gushes forth in springs. These springs are the source of mountain streams, which in turn feed the lakes. At this period of history many could not accept that all water in streams and rivers could have its origin from rainfall. Also, many still felt that water had some innate capacity to rise against gravity. Perhaps they should have gone back to Aristotle, who said "Water seeks its own level."
Edward Somerset, Sixth Earl and Second Marquis of Worcester (1601-1667) published in 1663 Century of Names and Scantlings of Such Inventions as at Present I Can Call to Mind Have Tried and Perfected usually refered to as A Century of Inventions. Somerset was a prominent public figure who was interested in science, mechanics and mathematics and made useful suggestions and improvements for them, especially for the use of steam as a motive power. He has some claim to being the inventor of the steam engine.
In the 56th article of his book, he describes a perpetual motion wheel. The original book edition of A Century of Inventions gives no image of the described machine. The image which frequently is published as Somerset's overbalanced wheel was published by Desaguliers and dates from 1720]. The sketch reveals nothing, for it shows no more than a large enclosed wheel with a relatively small axle, to which a rope is wrapped in order to lift weights and perform other mechanical work. Somerset's description revals these facts:
Johann Ernst Elias Bessler (Councillor) Orffyreus (1680-1745), a German Pole, had been Councillor to the Prince of Hessen-Kassel (Germany). He studied theology and medicine, but his interests focused on mechanics, particularly clockmaking. He claimed to have experimented with 300 different perpetual motion machines, finally making two working perpetual motion machines between 1712 and 1719. When the government of Hessen-Kassel imposed a tax on them, he destroyed the machines in a fit of anger. Bessler had an erratic temperament, alternating between melancholy and great anger.
Bessler published in 1717 a pamphlet (in German and Latin) titled Perpetuum Mobile Triumphans by Orffyreus. In it he complains about his critics and opponents: those in the scientific world, persons in high authority, the public in general, and the press. At this time he was in favor with the Prince of Hessen-Kassel, who provided him lodging and other support. Bessler claimed he had succeeded in making "a dead material not only move itself, but lift weights and perform work even the most profound mathematicians and the most learned people have continually fallen into error".
Of the 300 machines Bessler said he constructed, four were publicly demonstrated and observers gave detailed accounts of them. Some values in the following table should be treated as approximate, for different accounts give slightly differing values. Some accounts give the dimensions in Flemish ells (27 in), some in Leipzeg ells (22.3 in), some in Rhenish feet (31.4 cm) and some in inches and feet, and who knows what some of the translators did when converting measurements. The ell is a measure usually used for measuring cloth, and there were also English els and Scottish ells, all different. We need not fuss about these matters here, for the purpose of this table is to give a general impression of the size of the machines.
In 1717 Bessler built his largest wheel, which the Landgrave of Hessen permitted to be constructed and set running in a closed and locked room, secured with the Landgrave's seal on Nov 12, 1717. On Nov 26, the room was opened and the wheel found still running. The room was closed, and not reopened until Jan 4, 1718, and the wheel was still running, apparently at the same speed it had when started in November. Many came to observe this machine with admiration and wonder. Bessler describes this wheel as follows:
I put all in fresh order, and began work in all possible haste, doing everything in the manner of those I had already made and destroyed, with only a few changes in the dimensions of the so-named turning-wheel. For as a grindstone may be called a wheel, so may the principal part of my machine be named. The outward part of this wheel is drawn over or covered with waxed linen in the form of a drum. This cylindrical basis was 12 Rhenish feet in diamter, the thickness from 15 to 18 inches, the middle axle 6 feet long and 8 inches in thickness. It is supported in its movement on two pointed steel balance-pegs, each 1 inch thick; and the wheel is vertically suspended. The movement is modified by two pendulums, as shown in the engraving at the end of this book. The inward structure of the wheel is of a nature according to the laws of mechanical perpetual motion, so arranged that by disposed weights once in rotation they gain force from their own swinging, and must continue their movement as long as their structure does not lose its position and arrangement. Unlike all other automata, such as clocks or springs or other hanging weights which require winding up or whose duration depends on the chain which attaches them, on the contrary, these weights are the essential parts and constitute perpetuum mobile itself; as from them is retreived the universal movement which they must exercise so long as they remain out of the center of gravity; and when they come to be placed together, and so arranged one against another that they can never obtain equilibrium, or the punctum quietus which they unceasingly seek in their wonderous speedy flight, one or other of them must apply its weight vertically to the axis, which in its turn will also move.This passage makes clear that:
• Bessler claimed it did not derive its power from wound springs or falling weights, as was common with automata and clockwork devices.
• It had many moving weights inside, arranged with the purpose of keeping the wheel continually unbalanced.
Only a few persons had the privilege of seeing what was inside the wheel and they were sworn to secrecy. Even they did not see what might have been hidden inside the long six-inch diamter axle, supported at each end by iron pins only about an inch in diameter. Remember that Bessler was a very skilled clockmaker, and such a heavy wheel can sustain flywheel motion for a very long time. Clocks could be made to run a year without winding. These few who saw the inside of the wheel after removing the front panel said that it had many compartments around the perimeter of the wheel, each with a shifting weight inside. These people were not permitted to look at what might be hidden behind these obvious mechanical details, in the back panel of the wheel itself. Consider magician's stage illusions in which people and even animals can be hidden by clever design of a cabinet or other stage apparatus.
Bessler's wheels had two pendulums, driven by the wheel's axle, and we can probably accept his statement that they regulated the wheel's speed. Some drawings show a rope wrapped around the larger axle, passing to a pulley at the floor, and then up to a pulley near the roof, to which a load was attched. One wonders why the extra pulley was necessary, and why this rope passes through a hole in one of the upright wheel supports. This hole would surely weaken that support, and is entirely unnecessary. Clearly some details are not to scale in these drawings, though the overall scale is indicated by a rule along the bottom edge of the drawing. (The units are Leipzig ells.) This illustration above shows a stamping mill being driven on the left by pegs in the axle. It also shows a brake near the bottom edge of the wheel. Some illustations show a rope belt driving an archimedean screw for lifting water.
The Landgrave hired philosopher and engineer Professor 's Gravensande of Leyden (1688-1742) to investigate the machine. He observed it (without being allowed to look inside) and described it in a letter to Sir Isaac Newton.
The Professor observed (as had others) that when the wheel was stopped and then released, it would gradually resume its motion at the original speed within a few revolutions. His letter does seem to support the claims that the machine was self-moving. We have no record that Newton ever replied. On hearing 's Gravensande had examined the machine without his consent, Bessler again destroyed the machine, leaving a message on the wall saying that he had been forced to do this by the impertinance of 's Gravensande. He shouldn't have been so hasty, for 's Gravensande had only looked carefully at the wheel's exterior and its bearing supports, and found nothing suspicious there.
Naturally, Bessler was suspected of fraud in this matter. Unsubstantiated stories circulated that a servant had signed an oath that in an adjoining room she had turned crank to keep the wheel in motion. This raises the obvious question of why other observers had not checked the adjoining room, for it might have had more than just an a hand crank—mechanisms that might not have been noticed or understood by a housemaid, but might have meant a lot to 's Gravensande, had he seen them. Such allegations caused Bessler to construct his most impressive machine in the center of a room, well removed from walls, to allay any suspicions. It's difficult, if not impossible, to judge the credibility of the details of such charges this long after the fact. There's no good reason to doubt that deception was involved in all his demonstrations, but exactly how it was accomplished in each case can be no more than speculation. Remember also that these devices were made in at least four different sizes and were demonstrated in different places and under different circumstances. While many external construction features are alike in these, we have no assurance that the wheel's interior mechanism was the same in all cases. Deception may well have taken differnt forms as circumstances changed.
It's not difficult to postulate many ways that the public wheel demonstrations could have been accomplished, for they were of short duration and did not require large energy output. In these cases the wheel was observed in motion throughout a brief demonstration, then it was braked to a stop. It was then restarted for another demonstration, and sometimes the wheel was lifted off its supports and replaced, or placed on another set of supports. Once a cylindrical lead weight was removed for examination from within the wheel and then replaced by Bessler.
The most widely documented and discussed demonstration was that in which the running wheel was placed in a castle room, the room completely sealed, guarded, and opened after 10 days, to find the wheel still running. The room was closed again, and opened after 43 days, when the wheel was again found running. Most people supposed it had been running continually for 53 days—nearly two months. During the times that all doors and windows to the room where closed and sealed. The stone walls were a foot thick. No one had any way to verify that the wheel was actually turning during the entire time. The wheel might easily have been caused to stop after the room was sealed, and started again just before the room was opened. Rather than being a convincing experiment, this reveals that Bessler was engaging in deception of the kind used by stage magicians. The magic occurs out of sight, to hide the secret. And there's no rational reason for anything to happen out of sight in this case.
• During demonstrations of all of Bessler's wheels observers remarked that the wheel was noisy. The clatter of the weights inside the wheel was clearly heard, and some reported hearing "scratching noises" (like those of a tightly coiled spring?). Could these noises not be heard even outside the sealed room? If these sounds could be heard during the entire 53 days surely someone would have cited this as strong evidence in favor of Bessler. If the sounds stopped after the room was sealed, surely someone would have cited this as evidence of fraud. But no one even mentions the sound. Why was the room sealed so tightly that no sound at all could be heard through one of the sealed doors? Allowing some sound to be heard the entire 53 days would have been a simple way to make the demonstration more convincing.
Clearly Bessler contrived the conditions of this demonstration to hide his methods of deception. Had he been totally honest, he'd have provided a continuous method for people to watch wheel in motion and hear its sound at all times, still without allowing any outside influences on the wheel. The fact that he did not provide for these simple tests speaks eloquently to the suspicion that he was engaged in fraud.
What is really amazing is how many people today still think Bessler's machines may actually have been honest and that they were genuine perpetual motion. Many words have been devoted to Bessler apologetics, often exhibiting ingenuity at rationalization every bit as inventive as Bessler himself.
While Bessler's public activities get the most attention, and the evidence of fraud is compelling, he may at the same time have been engaged in a sincere quest for perpetual motion. He was working on a book with 140 illustrations, an astounding collection of perpetual motion designs of his day and earlier times. There we find the overbalanced wheels of the orient, and even some folk toys. He called it his "great treatise on mechanics". Bill McMurty has these designs on his website Maschinen Tractate, and he plans to redraw all of them (the originals are often in very poor condition), with translations of the accompanying text, to be made available as a book. So comprehensive is this collection that I frequently get drawings from people who suppose they have invented a new perpetual motion machine, which turn out to be minor variations of one Bessler included in thhis collection.
Bill McMurty has collected information and pictures about the Bessler affair at his Orffyreus returns website.
Jacob Leupold (1674 –1727)
The Perpetuum Mobile, or the machine that runs without external power without stopping, as long as material lasts and nothing breaks, moving itself, is so well known by name today that even the minor craftsmen, even bootmakers and tailors, not only talk about it, but fancy they could make such a thing if they only had money and time. As this is something that many have searched for with great desire, time effort and cost, then surely it is perpetuum mobile.
And this desire is, even today, so deeply anchored in so many that they would rather let themselves be beaten to death than confess that they failed.
The reason is that these people have no foundation in mechanics. Many do not know how to calculate motions, and therefore, because of that, start construction based on imagination and haphazard experimentation. And so, to all who persistently search for perpetual motion, you should tell them:
And, 3. Those who cannot do these calculations and do not understand the principles should refrain and leave the task to others. They will not only lose time and money, but what is worse, will never find satisfaction. I could cite many examples.
Although, among many hundreds or even thousands of seekers, not one has ever found perpetuum mobile, not all of that effort was in vain, because many of them found their way to mechanics who otherwise didn't have that in mind. All they have learned is that man cannot achieve more in mechanics than God allows, and that with one pound nothing more than one pound can be moved, but only kept in equilibrium. But if there should be more, then more space and time must be available, and because of that, all those who want to achieve more, as being possible with machines according to the principles of mechanics, should be characterized as examples of Dr. Becher's "wise fools".
The last paragraph suggests that Leupold realized that "you can't get more work out than you put in". Though he uses "pound" as a measure of work, we do not doubt that he was well aware of Archimedes' law of the lever, in which two different weights with different lever arms can be in equilibrium.
Leupold's comment about the necessity of "more space and time" for achieving more than the laws of mechanics allow, suggests that he realizes that machines are limited by geometry, and that only by assuming a different geometry can one imagine circumventing those laws. But perhaps we read too much into a cryptic comment.
Leupold was not claiming to have disproven the possibility of perpetual motion. Indeed, he had heard second hand accounts of Bessler's demonstrations, and seemed to accept them.
Notwithstanding we hold that perpetual motion is not an impossibility, as been shown to all the world by Councillor Orffyreus, and attested by the princely word of the Landgrave of Hesse Cassel, a prince himself well grounded in the science of mechanics, and who so minutely scrutinised and observed this wonderful motion, which was with him on trial during two months; all of which time he kept the machine in a sealed chamber." [Dircks, vol 1, p. 22]
Dr. William Kenrick ( -1779) published in 1770 "A Lecture on the Perpetual Motion," in which he describes the inventions of the Marquis of Worcester and Councillor Oryffyreus, and other perpetual motion ideas. Kenrick had been pursuing this chimera for quite a while.
One species of our predecessor's merit, however, I presume myself at least entitled to, that of perserverance; it being now fifteen years since I first engaged in this underatking, which I have since pursued with almost unremitted assiduity, and that not only at considerable waste of time and expense, but under the constant mortification of hearing it equally ridiculed by those who do know, and by those who do not know, anything of the matter.
Kenrick is annoyed with mathematicians who claim to have proven the impossibility of perpetual motion, yet Kenrick asserts that "No such demonstration was ever published by any." He describes the demonstrations of the Marquis of Worcester, noting:
Bishop John Wilkins (1614-72) is probably best known as a founder and first secretary to the British Royal Society (founded in 1660 and received the Royal Charter in 1662). He compiled a book Natural Magick during a period in history when the "magical arts" were being overtaken by "scientific and mechanical arts", and people began to realize that many things once thought magical could be understood by science.
Earlier, in the year 1600, William Gilbert's book de Magnete appeared. Readers were fascinated with Gilbert's accounts of his experiments with magnetic lodestones, and these revelations of a new science of magnetisim fueled their imaginations. Some misunderstood and misapplied it. Johannes Kepler tried (and discarded) many ideas to explain the motion of planets. One of these was the hypothesis that the sun was a huge magnet whose field somehow kept the planets in motion. Anton Mesmer thought that magnets could influence the human body, and that they could transfer their "magnetic influence" to a person, who could in turn transmit it to others. Thus was born the notion of "animal magnetism" and "mesmerism".
Wilkins discusses the 'difficulty' of achieving perpetual motion, and considers in detail a device attributed by Schott (in his 1659 "Thaumaturgus Physicus, sive Magiae Universalis Naturae et Artis") to Johannes Taisnierus [Dircks, 1870, p. 93]. It consists of two tilted ramps, an iron ball, and a magnetic lodestone fastened at the top. [This was a "clad" lodestone, a natural chunk of magnetic ore encased in an iron ball, such as used in Gilbert's experiments.] The lodestone at the top (A) pulled the ball (F) up the straight ramp, where it fell through the hole (B) to the lower ramp, rolled down, and through another hole (F) to the straight ramp where it was pulled up again. Clearly this idea needs a lot more thought and work. Why doesn't the ball simply remain at the top, held strongly against the fixed magnet? And if it did fall through the top hole, it would still be under the attractive influence of the magnet at the top. It's hard to imagine anyone who ever worked with magnets taking this seriously, but many later inventors did, trying futile variations. Even today, perpetual motion enthusiasts experiment with fantastic variations of "magnet motors" hoping that new magnet technology and stronger magnets will make them go.
Sir William Congreve (1772-1829) was a politician and inventor. His inventions included a military rocket. In 1827, while convalescing from an illness he devised a variant of the classic inclined plane and chain, which Simon Stevin had shown to be useless. Congreve used an inclined plane, three guide rollers and a chain of sponges! The sponges at the left hand side were heavy because they were soaked with water by capillary effects thus causing an unbalanced force downwards. They were pulled through the reservoir and then up the incline. As they were pulled up the incline, weights moving along above them squeezed out the water, making the sponges lighter.
A description of this appeared in the Atlas (London) and this account was reprinted in The Mechanic's Magazine (London), both in 1827. We can only speculate whether some tried to build this, and were disappointed, or whether no one capable of building it had the slightest confidence it could work. Later Sir William published, at his own expense, a pamphlet explaining and defending his own confidence in this idea. Yet there's no evidence he ever built one to test. One wonders why, for he surely could have afforded materials and could have hired experienced mechanics to build such a relatively simple machine.